To receive Morning Links in your inbox every weekday,signupfor ourBreakfast with ARTnewsnewsletter.
THE HEADLINES
GRACELAND SCAM. Aman has claimed he used identity theft to threaten foreclosure on Elvis Presley’s former home and museum, Graceland, in an attempt to steal millions. The self-described identity thief wrote a confession to the New York Timesfull of descriptive commentary, claiming he was a leader in a dark web network of “worms” that use personal information to scam people. “We figure out how to steal,” he wrote. “That’s what we do.” The NYT has reason to believe the message was authentic, because it came in response to their request for comment from the so-called Naussany Investments & Private Lending LLC company, which now appears to have been entirely fabricated. The company had been threatening to sell Graceland over an alleged unpaid $3.8 million loan to Lisa Marie Presley, whom they said had used the family property as collateral. Graceland’s current owner and Presley heir, actress Riley Keough, fought back in court, arguing the loan was fictional, leading a judge to block any immediate foreclosure. “I had fun figuring this one out and it didn’t succeed very well,” said the self-proclaimed scammer, who wrote in a mix of English and sometimes “clunky” Luganda, noting he was based in Nigeria. However, the NYT has reasons to doubt even that. At any rate, the message conceded: “She beat me at my own game.”
Related Articles
Extremely Rare Wu-Tang Clan Album to Be Played at Australian Exhibition
Tokyo Gendai Art Fair Reveals Programming For Second Edition in July
LIKE A PICASSO. The Wu-Tang Clan’s legendary hip-hop album heard by only a few, likened to a Picasso by some, and believed to be one of the rarest of its kind, is going on display for 10 days in June, at the Museum of Old and New Art in Tasmania, reports the BBC. Small groups will get the chance to listen to a 30-minute sample of the album called “Once Upon a Time in Shaolin.” The CD, which cannot be downloaded or digitally streamed, comes in an ornate silver box with leather-bound liner notes; it was secretly recorded in Staten Island, New York, and produced over six years in Marrakech. The musicians assigned a legal condition to the record stipulating that its owner cannot release the tracks for 88 years. It also holds the title as the most expensive record ever sold, at $2 million in 2015 to the notorious pharma baron Martin Shkreli. It is currently owned by the cryptocurrency collective PleasrDAO, which purchased it for some $4 million. The Wu-Tang Clan “had a bold vision to make a single copy album as a work of fine art,” said the Pleasr collective in a statement. Their “intention was to redefine the meaning of music ownership and value.”
THE DIGEST
Record rainfall and flooding has severely damaged museums and heritage sites in Brazil’s Rio Grande do Sul state. A task force set up by Brazil’s ministry of culture found more than 50 of 378 museums in the area have suffered structural damage from flooding, while nearly 100 towns reported damage to archaeological sites, libraries, galleries, theaters, art, and historical collections. [The Art Newspaper]
The ARCO art fair in Lisbon saw “less dynamic” sales, according to reports, despite more visitors from the US and Brazil. Held May 23 to 26, “timid” sales reports come amid concerns of an overall market slump. Taylor Swift fans flocking to the city at the same time also made hotel reservations tougher to snag at the last minute, which may not have helped the fair. [Le Quotidien de l’Art]
Switzerland has restituted three Mesopotamian artifacts to Iraq, including a statue and two bas-reliefs. The Assyrian objects dating to the 8th century BC were first discovered in the ancient city of Nimrud and were illegally exported at an unknown time. [Tribune de Genève]
Art fair Tokyo Gendai has announced its programming just over a month before its second edition kicks off July 5 to 7 at the Pacifico Yokohama. [ARTnews]
A Detroit nonprofit is launching the world’s first queer art biennial. Mighty Real/Queer Detroit is organizing the exhibition titled “I Will Be Your Mirror: Reflections of the Contemporary Queer,” running May 31 to June 30. It includes 11 galleries and art venues across the city, and is supported by Detroit’s Office of Arts, Culture and Entrepreneurship. [The Art Newspaper]
Christie’s has announced that its 20th and 21st Century Art sale will be the inaugural auction for its new Hong Kong headquarters at the Henderson, a recently completed office building in Central district, designed by Zaha Hadid Architects. The sale is set for September 26–27. [ArtAsiaPacific]
THE KICKER
MAKING HER MARK. The artist Tracey Emin talks to the Guardian’s Simon Hattenstone on the occasion of her new exhibition at Xavier Hufkens in Brussels, comprising paintings she made since having been diagnosed with cancer four years ago. More prolific than ever, the 60-year-old artist’s exhibit is titled “By the time you see me there will be nothing left,” in reference to her illness, which is in remission. Emin discusses how a “massive bout of near-death cancer” made her realize “how good time is now. The present. Cancer changed everything for me.” As well as reflecting on all that, she has worked to change and reassess herself since. While reviewing her life in intensive care, Emin told herself: “The biggest thing was I didn’t want to die being some mediocre YBA artist from the 90s. I thought: that’s not me. What have I been doing?”
